The following combination of strat mods is simple to install and greatly increases the tonal palette of the instrument IMO. This requires giving up the traditional 3rd position (middle pickup), but that’s a small price to pay.
Tone knob assignment – Connect the first tone knob to the neck & middle pickups and dedicate the second one to the bridge pickup.
Super switch – Replace the standard 5-way with a super switch or 2-pole 5-way w/ the following wiring: N, N+M, N+B, M+B, B This preserves all the “good” strat sounds and adds the “tele” middle sound.
Strangle Switch (aka high-pass filter) – Basically just a .003 capacitor on a push pull potentiometer. This will cut out low-end frequencies and make the guitar sound so funky.
Treble Bleed circut – Add a 560pf cap & 300k resistor to the volume pot to preserve tone while using the volume knob.
I’ve really been enjoying my fake Klein for the past year; it’s a solid guitar and incredibly comfortable to play. That said, I have this personality flaw where once I notice that something is less than ideal, it grates on me ….badly, until I fix it. Thus was the case with the bridge and factory frets.
Since I opened this kit, I’ve know that some fret work was going to be required. Historically this is an area I’ve avoided and sought professional help, but after spending some time on youtube, I decided I am capable of doing this. …….I just needed to acquire some tools first. The main videos I tried to model/emulate were this, this, and this. Most of the supplies came from Stewart MacDonald. I found a lesser expensive notched straight edge and fret rocker on Amazon, and the Meguiar’s polish and buffer wheel were from an auto parts store where I had a gift card.
The finish is now complete on the Klein. Ultimately, I’m happy with it, but in the grand scheme of things I’d rate it as a C- (or if you’re a Futurama fan a C minus-minus). Continue reading Klein Copy: Part IX→
My replacement JCustom headpeice arrived on Thursday from the good folks at HeadlessUSA. They were incredibly helpful with the few questions I had, and for a couple of reasons I’d recommend buying from them via phone rather than ebay like I did. While I’m not crazy about the extra length this will add to the guitar, the quality easily makes up for it. So far it’s easily been worth the money.
The whole time I’ve been working on this guitar the question in the back of my mind has been: is this cheap thing going to actually sound, play, and function like a “real” guitar? I’m at a point where I can’t make any real progress for a week or two but I this afternoon I thought maybe I should mount the bridge and neck, string it up, and see what she’s like. So I did.
I did a little wet sanding on the satin clear coat this week. …..and sure enough I went right through some of the clear coat and white stain. I was really frustrated when it happened, but honestly it’s not too bad and I’ve decided not to sand any further and re-stain the area.
All of my hardware has arrived with the exception of the new pickguard. I took some time to make sure everything would install as expected. The main piece of the bridge fits in it’s route beautifully, but unfortunately once it’s fully assembled it overhangs on the top of the route.
After several coats of stain the neck and body are turning out exactly how I had envisioned. Each coat of stain raises the grain so it’s a slow process of stain, lightly sand, stain, lightly sand, etc. I’ve done 5 or 6 coats now and I’m getting close to moving to the next step. Hopefully tomorrow night I can start on the satin clear coat. Continue reading Klein Copy: Part III→
A few months ago I discovered that Alibaba distributes guitar kits for many, many, many different types popular guitars. Of course these are all Chinese knock-offs of the real thing, but they only cost a fraction of the real thing. I was leaning towards getting a Less Paul kit, but a good friend talked me into getting a Klein instead (he got one as well). For example an authentic Klein (when the company was still in business) would sell for between $2-3K (in early 2000 dollars). Currently on ebay they sell for between $5-10k. I had the pleasure of playing two different Kleins while I was in college and they are simply amazing instruments; worth every penny. However, I’m not in a position to justify that kind of money for a guitar.
I’ve had my RMC3 for almost 15 years now and I still love it. This really is one of the best Wahs on the planet. I love how it comes w/ a bunch of “famous” wah settings e.g. Hendrix, Shaft, Cry Baby, etc. It sounds silly but several years ago I really had to cover Shaft on a gig. All I did was plug-in Geoffrey’s settings and low and behold it was perfect. Pretty cool. Continue reading New ROC-POT4 in My RMC 3→
I should preface this post by stating that this is simply a list of the most influential guitarist in my journey as a guitarist. I’m not claiming this is the be-all-end-all or the best “of all time” top 10.
Favorite Album: Trio Volume 2
I first saw Tim play when I was a sophomore in high school and I’ll never forget that night. About a year later I bought his first CD, With the Distance, and it made such an impact on me that I traded ~80% of my CDs to start a jazz collection. Tim has an incredibly unique approach to the guitar. His bell-like tone mixed with long, complex phrases create an amazing sound that is a joy to listen to. He’s currently on staff at the Berklee College of Music and recently launched an on-line guitar lessons site. If you’ve never heard Tim play definitely look him up on youtube or grab one of his CDs.
I bought my last desk as a college student for $99 at Walmart. While it has served me extremely well, I’ve outgrown it in a lot of ways. I found it really frustrating looking for desks both on line and at retailers. There are so many out there and almost none of them do what I want. Especially not for what I’m willing to pay. Luckily a guy named Michael was nice enough to build exactly what I wanted from Ikea parts and post *all* the info on line. Not only did he build a micro-site located here about his project but he also answered several questions via email. He’s a very nice guy.
I’ve had my Tom Anderson Hollow Drop Top Classic for about eleven years now. It’s by far the best guitar I’ve ever owned. Over the past three years, I’ve found myself playing this guitar less and less as my tastes continue to evolve. In fact, my strat has been my main guitar for the past year and a half. Back when I purchased the Anderson I really gravitated to higher output pickups. Not so much any more. When I started playing teles back in 2004ish I realized that lower output pickups had a much sweeter & brighter sound. Conversely, hotter ones can sound harsh and darker. I’m not saying that all high output pickups are dark & harsh, but they certainly *can* be as is the case w/ the pickups in my Anderson. Continue reading I ♥ Dimarzio Pickups→
After a four month wait I finally got my Naylor Duel 60 amp and 1×12 cab. ….It was worth the wait. The amp sounds incredible and is surprisingly versatile. It’s difficult to describe the sound, but overall it’s very smooth, thick, punchy, and responsive (how’s that for a generic tone description?). The drive channel is what put Naylor on the map as one of the first boutique amp companies in the early nineties. It’s a very Marshall’esq overdrive, but a lot fuller sounding. It’s hard to describe, so let’s just say it’s what I always wanted Marshalls to sound like. Continue reading Naylor Duel 60→